
Special Edition—Spring-Summer 1998
Special
Section
MCCCWC entry—one act play division
The Situation
by Jennifer Roberts
Ernest Taylor: A hard-working man in his forties. Ruth Taylor: A woman in her forties, addicted to talk shows.
Lydia Taylor: An intelligent young woman who is constantly overshadowed by her brother, Morris.
Morris Taylor: A 19 year old who is lazy and clever. He is spoiled by his mother and constantly at odds with his sister, Lydia.
MollyAnne Warner: A sleazy talk-show host.
Cindy: A talk show guest.
Scene One: The stage is split.
Stage left should represent a traditionally decorated living room with
adjoining dining room. The t.v. should be turned so as to allow the family
to see the picture, but making it hidden from the audience. Stage right
is the set for the MollyAnne Warner show, consisting mainly of a backdrop,
some chairs and a couple of potted plants.
The scene opens with Stage Left fully
lit and Stage Right Dark. Ruth is setting the table for dinner while Morris
lies sprawled on the couch.
Ruth- Morris, honey, do me a favor
and change the channel to my show, will you baby?
Morris- (sarcastically) Oh
great, it's time for the MollyAnne Warner show.
The door opens and Ernest comes in from
work. He begins to talk as he takes off his boots.
Ernest- Damn that traffic. It's
not bad enough I slave away in that tin can of a factory for 10 hours a
day, then I've gotta fight my way home through a million cars keeping the
streets plugged up like a bad sewer. Where do they all come from? I think
they must be giving them out now with learner permits. I swear I saw a
16 year old driving a Mercedes down South Main. Isn't that some kind of
sin? (He looks around for support. When no one acknowledges his statement
he continues.) The day I let a 16 year-old son of mine drive a Mercedes
or, heaven forbid, buy him one - and I don't care if I'm a kagillionaire
you can just put me away. Or better yet, bury me right then and there 'cause
I've obviously lost my senses and can't carry on a normal life.
Morris - Yeah Dad, I know, we had
that conversation 3 years ago.
Ernest - So what have you accomplished
today, eh Morris? I guess it would be a waste of breath to ask if you got
a job, right?
Morris - Well Dad, unlike hundreds
of pimple-ridden 16-year-olds, I did not receive my Mercedes, so unless
something opens up within a 4 block radius there's no use looking. Without
a car I can't get a job and without a job I can't afford a car. It doesn't
take Socrates to follow that logic.
Ernest - Don't you get smart with
me. I work myself to death putting food in your mouth and clothes on your
back. Don't you...
Ruth - Hush, you guys my show is
coming on!
Ruth hurries over to where Morris is
sitting and snatches the remote control away from him. She turns the volume
up so everyone can hear the theme music to the MollyAnne Warner show..
Ernest has finished with his boots and goes to sit on the couch by Morris.
As the sound of the music increases, the lights dim on stage left. They
go up correspondingly on stage right. There the MollyAnne Warner show has
begun.
Scene Two
MollyAnne Warner- Hello and welcome to the show. Today we'll be talking to Cindy, a woman not so different from any one of us. But did the computer age suck her into a dangerous relationship? I'm not talking about men who beat women,
(dramatic pause while audience boo's)
or the men who control their lives so completely that they are kept a prisoner in their own home (dramatic pause for booing).
I'm not even talking about the creeps that prey on lonely ladies looking for love only to leave them broke and in despair
(very dramatic pause with loud reaction from the audience).
Nope... I'm not talking about a man at all. Why don't I let Cindy explain the rest of the story.
Applause comes from the audience as
the guest (Cindy) enters from Stage Right and takes a seat in one of the
chairs.
MollyAnne Warner- I know it's painful for you, Cindy, but, can you try to tell our audience what happened to you?
Cindy (obviously distraught)
- I'll try. You see, I had just come out of a bad relationship and I guess
I was feeling pretty lonely when a friend told me about Internet dating.
MollyAnne Warner- For those of you
who don't know, there are quite a number of dating services that are available
on the Internet for people to use from the privacy of their own homes.
And you thought this would be a good idea for you, Cindy?
Cindy- Yes, I've always been a bit
shy, and I thought it would be great to meet someone without the pressure
of seeing them face to face - at first, of course.
MollyAnne Warner- I think everyone
can understand how nerve-wracking that can be. And everything seemed to
be going well at first, didn't it, Cindy? In fact the man you contacted
seemed to be ideal, isn't that right?
Cindy - Oh yes, we wrote back and
forth for months about everything... all of our likes and dislikes, our
favorite movies and books, the type of music we listened to. We were absolutely
compatible.
MollyAnne Warner- Well, it sounds
great. You are looking for someone to have a relationship with and thanks
to the miracle of modern computers you find your soul mate, the man you've
been looking for all of your life.
Cindy- Yes, or at least that's what
I thought.
MollyAnne Warner- You're right,
Cindy, there was a problem, wasn't there? Something that you just couldn't
overlook, could you? Well, I know why Cindy is here today. But, why don't
you go ahead and let everybody else in on the secret.
Cindy- He was an alien.
Outburst from audience
Cindy - It took 5 months, but he finally told me the truth. He tapped into our satellite system and was able to communicate with me. He said he was lonely, that he had been monitoring earth for the last 3 years in a ship in orbit and had had no outside contact with anyone. I guess I still feel kind of sorry for him, but I just ... I... don't know what to do now.
She bursts into tears
MollyAnne Warner- I guess Cindy
needs a little time to compose herself. It must be hell to discover something
like this about someone that you have come to trust. Let's take a break
and we'll be back with the rest of her story.
The theme music plays again and lights
go down on Stage Right. Lights go up on Stage Left to show Ruth, Ernest
and Morris staring raptly at the t.v.
Scene Three
Morris- Well, I think a couple of
I.Q. points just got sucked out of me. I don't know how you watch that
stuff, Mom.
Ruth- Now that's just not true,
Morris. That MollyAnne is an absolute angel. I read her autobiography just
the other day and she came from normal people just like us and had to fight
to make a name for herself. And she's done it without trying to be so uppity
and all like that Donahue, with his glasses and his thick silver hair,
always spouting out five-syllable words. Who does he think he is? I can't
believe that she would have that girl on her show if it wasn't the God's-Honest
truth.
Ernest- Stop giving your mother
a hard time, Morris. You're lucky you even have a t.v. to watch. Now get
up and help set the table, it's the least you could do.
Morris grudgingly gets up and takes
over setting the table.
Ruth- Oh, thank you honey (to
Morris). Now Ernest, let's go change before our company gets here.
Ernest- What company? What are you
talking about?
Ruth- I told you last Tuesday. Lydia's
new friend is coming over tonight.
Ernest- Are the clothes I wear every
other night not good enough for Lydia's friends or something? Why should
I change? I'm tired.
Ruth- Come on Ernest, Lydia's really
been looking forward to him coming over.
Ernest- Oh okay, anything for some
peace and quiet.
Ernest and Ruth exit stage right and
Morris continues setting the table. Enter Lydia from Stage Left with a
bag of groceries and some flowers.
Lydia- Man, what is this, the twilight
zone? What are you doing setting the table?
Morris- Oh, Dad's in one of his
moods. I'm just trying to stay out of the line of fire. What's this about
you having some guy over tonight? I haven't heard about you dating anyone
around here. Where's he from?
Lydia- Do you promise you won't
laugh?
Morris- No.
Lydia- Fine then, I won't tell.
Morris- Okay, okay. What's the deal?
Lydia- I've actually known him for
a while now, but, no, he's not from around here. I met him over the Internet.
Morris (beginning to laugh) - You
have got to be kidding me Lydia. I mean you're no super-model, but I'm
sure if you tried you could find a man without becoming some sort of cyberspace
mail-order bride! Oh, this is too much!
Lydia (angry)- It's not like that,
you jerk. He's really great. He's from France, but he's doing a student
exchange program this year, and he's just over at the state college. I
might even do a couple of semesters in Paris if things go okay. I'll drop
you a line when I get there. Don't worry about giving me an address, I
know where you'll be. She makes a grand gesture toward the couch.
Lydia exits down hallway, Stage left.
The sound of her door slamming at the end of the hall can be heard. A couple
of moments pass and Ruth and Ernest return to the living room in their
new clothes. Morris is busy chopping the stems off the bottom of the flowers
and putting them in a vase on the table.
Ruth- Why what a nice thought, Morris.
Those flowers are beautiful.
Morris- Think nothing of it Mom.
Ernest- How much did they cost?
Ruth- You can't put a price on beauty, can you dear?
She smiles sweetly at Morris who accepts
the praise with a humble grin and shrug.
Morris- I just thought I would try
to make it nice for when Lydia's new boyfriend gets here, but I guess that
is pretty much impossible considering the (he leans toward them and
says in an ominous tone) "situation."
Ruth- What situation sweetheart?
Morris- Oh! (feigning surprise)
you don't know? Perhaps I've said too much.
Morris saunters over to the couch and
has a seat while his parents look at each other in confusion.
Ernest- If some no-good bum around
here has gotten that girl in trouble, I'll kill him! Ruth, where's my gun?
Ernest exits Stage Left to go look for
his gun and Ruth goes around to sit on the couch beside Morris.
Ruth- Is that it, honey? Is that the situation that you're talking about? Tell me what's wrong.
Morris- very melodramatic speech Well
Mom, I probably shouldn't be telling you this, but someone has to do it.
I can't believe that Lydia hasn't told you yet. I was just now able to
get it out of her. I suppose she's embarrassed, but that's no reason to
ambush the family with no warning. You see, Lydia isn't dating someone
she met around here. In fact, he's from quite a distance away, if you catch
my drift. She met him over the Internet. I guess we should have suspected
something with her typing away on that computer day and night. If only
I had known what would happen. That she could be so deceived as to believe
that she loves him. Now she's planning on flying away with him back to
his home. (Then thoughtfully) I wonder if she could be under some
kind of mind control.
Ruth- I knew it, Morris! I told you that MollyAnne Warner wouldn't lie. And now here we are
in the same mess. I knew when she bought
that computer there would be trouble. We've got to stop Lydia before it's
too late!
Morris, pleased with the trouble he
has caused, saunters out of the room while his mother is left fretting
on the couch.
Ruth- LYDIA! COME HERE NOW!
Lydia (running into the room still with
one shoe in her hand and a couple of rollers stuck in her hair)- What's
wrong, Mom? Why's Daddy running around looking for his gun? Has someone
broken into the house?
Ruth- No, no nothing like that.
This is much more serious. Lydia, sit down by me.
Lydia, calm now but curious sits by
her mother on the couch.
Ruth- I know that we've never really
discussed the boys that you date. I've always known that you are a smart
girl and would do your best to do the right thing. But now this whole situation
with this new "boy." Well, Lydia, what could you be thinking?
Lydia- Let me guess. Morris told
you what I told him, right?
Ruth- I would be surprised if he
tried to keep this from us. I can't believe that you were going to spring
it on us without any warning. This is not the sort of thing that can be
taken lightly, you know.
Lydia- Oh come on, Mom, it's not
that big of a deal. I know that Luc (she pronounces it with an accent
that sounds strange)
isn't like the other guys I've dated, but I think
that's what I like about him the most. And you must see the opportunities
that traveling would give me.
Ruth- I'm afraid that this is my
fault. I've tried to raise you to respect all people and to treat them
equally, but you must see how different this situation is. Don't you dear?
Lydia- I can't believe this, Mom.
You're right. You have always taught me to ignore the differences in others
and treat them as I would be treated and now I find out how truly prejudiced
you are. You shouldn't act so superior, Mother, you do know that a good
part of our heritage comes from Luc's people? They came to our country
looking for opportunities just like the Irish and the Germans and , well,
practically everyone else in the universe.
Ruth leans back into the couch and fans
her face with a t.v. guide. She is incredulous at what Lydia is saying.
Ruth- Now come on, Lydia, you know
that's not true. This situation has gotten way out of hand. You're going
to have to talk to your father about this. Or... (musing to herself) maybe
I should get the government involved. I bet they'd like to know what's
going on here.
Lydia- Mom, don't you know anything?
The government encourages visits like this. It's part of a cultural exchange
program. It's all perfectly legal. He didn't sneak into the country or
anything.
Ruth- How come I've never heard
of this before if it's so common? I know I don't get out that much, but
I do watch the news, you know. I think it would have been mentioned at
some point. Please don't try to make a fool of me, Lydia. That is where
I draw the line with you kids.
Lydia- I've had enough of this,
mother. I try so hard to please you and Dad and I never get any credit
but Morris just lies around all day and you think he's some sort of sainted
genius. You don't have to worry about me bringing my boyfriend into this
house, and you don't have to worry about me being here any more either.
I'm moving out!
Lydia storms out of the room down the hall leaving Ruth on the couch still half in shock.
Stage Left goes black
Scene Four
Lights on Stage Right go up. Ernest,
Ruth and Morris are seated in chairs at the MollyAnne Warner show. The
theme music is playing and MollyAnne
Warner is standing in front in order to introduce the show a spotlight
is directed on her.
MollyAnne Warner- Hi! And welcome
to the show. Today we continue our expose on "Aliens Online" with a visit
from the Taylor family. Ruth and Ernest's daughter and Morris' sister has
left her home to live with an alien she met over the Internet. She claimed
it was part of a government sponsored program. Could this be true? Stay
tuned because we have a lot more to tell about how this family was torn
apart and how you can prevent it from happening to you.
The spotlight goes out
Offstage Voice - And cut for commercial!
Ruth- Excuse me, Ms. Warner, but
could we take a bit of a bathroom break? I'm afraid Ernest and I overdid
the punch in the Green Room.
MollyAnne Warner- Are you kidding?
Yeah, go ahead. After an intro like that I bet we can get in a full fifteen
minutes of commercials without losing a single viewer. Take your time.
Ernest and Ruth exit Stage Right. Morris
gets up and saunters over to MollyAnne Warner.
Morris- I think you owe me a Thank
You.
MollyAnne Warner- What are you talking
about?
Morris - I made this story and I
could break it right here and now. If I was to tell the truth, you'd look
like a complete idiot.
MollyAnne Warner- Oh great. Just
what I need, a guest with half a brain. Listen Uh...she glances at her
notes...Morris. There's really no harm in this sort of thing. No one
really believes this stuff, and even if they do it doesn't do any harm.
Just sit over there and smile and you'll have something to talk about for
the rest of your life. This is nationally televised you know. You'll be
a star.
Morris- I have a better idea. Why
not get me hired here and I could set you up a story like this every week,
no problem. Surely you could use another executive in a big place like
this?
MollyAnne Warner- You mean a job?
Morris- That's exactly what I mean.
MollyAnne Warner- Are you trying
to blackmail me, Morris?
Morris- Well, let's just say that I'm offering you the chance at a really great show with no...contradictions to your story line. With what I could say you could squeeze in 30 minutes of commercials and still have your audience on the edge of their seats. What do you say? Is it a deal?
MollyAnne Warner- You know Morris,
I think you might fit in just fine around here. Go take your seat and we'll
discuss your salary after the show. How does lunch at the Palace sound?
Morris- (grinning ear to ear)
MollyAnne, I think we are going to get along just fine.
Offstage Voice- Everybody in their
seats. We're back on air in four minutes!
Ruth and Ernest hurry in from offstage
and take their seats and Morris sits down as well.
Morris- Well, Dad, I've got a job!
MollyAnne Warner just offered me a position with the show.
Ruth- Oh honey! That's so wonderful!
I knew you would find something.
Ernest- I'm proud of you son! I
guess you just needed to find the right opportunity. MollyAnne must have
really noticed some potential in you for you to get hired so quickly. I'm
sorry I gave you such a hard time. Now if only Lydia would get her act
together....
Ruth- I know she's my daughter,
but Lydia always did have a dark side to her personality. I guess I was
just too easy on her. But at least one of you kids turned out right. She
gives Morris a pat on the shoulder.
Morris- Well, you don't have to
worry about me, Mom. I feel like this is what I was born to do. By this
time next year.....I could be hosting this show. How does "The Morris Taylor
Show" strike your fancy?
Both parents beam at their son and curtain
falls.
Back to The
Magic River Table of Contents
Back to QuickConnect
Page